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pangasinan
by:
Kristine Sanchez
"Pangasinan"
comes from the word asin meaning salt, and translates into "a place where
salt is made." It refers to a province at the northern end of the
Central Luzon plain. Its shores form a lap for Lingayen Gulf and
its borders extend west-southwest to Zambales, south to Tarlac, southeast
to Nueva Ecija, and northeast to Nueva Viscaya, Benguet, and La Union.
"Pangasinan"
also refers to the language, which is spoken along the central part in
such towns as Alaminos, Mabini, Sual, Labrador, Lingayen, Bugallon, Aguilar,
Managtarem, Urbiztondo, Binmaley, Dagupan, Calasiao, santa Barbara, Basista,
Bayambang, Malasiqui, San Fabian, Mangaldan, San Jacinto, Pozorrubio, and
Mapandan. Ilocano is the predominant language in the western towns
of Anda, Bani, Agno, Burgos, Dasol, and Infanta.
"Pangasinense"
or the "Oangasinan" refers to the people of Pangasinan. In the Census
of 1980, theirnumber stood at 1,636,057. The same census reveals
that there are 158,666 households which speak Pangasinan, 60,085 of which,
or roughly 40%, are urban.
History
There
are no conclusive data about the origins of the Pangasinense. One
theory hints Java as a possible point of origin as the techniques of salt
making in the northern coast of Java closely resemble those of the Pangasinense.
These techniques were to make Pangasinan the source of the finest salt
in the Philippines (Cortes 1974: 24-25).
Other
smilarities with Java are seen in the tools and methods of cultivation,
such as the use of the bamboo harrow and the peculiarly shaped scythe for
reaping rice. The manner of venerating the dead finds parallels in
Java. The burial sites in Calatagan were evidently refurbished regularly.
In Java, a yearly festival is celebrated by the living to honor the dead;
the day is passed in devotion on the burial grounds, which are strewn with
flowers (Cortes 1974: 38).
There
is no doubt that Pangasinan had contact with ancient travellers, most especially
the Chinese, and it remains for some ancient manuscript to surface to describe
the relationsPangasinan had with the peoples inabiting the shores lapped
by the South China Sea. In Agoo, now La Union but formerly Pangasinan,
evidence of extensive commercial intercourse with the Chinese and the Japanese
abound.
Pangasinan
is one of the biggest provinces in the Philippines and accounts for more
than half the populatio of the Ilocos region. It is also one of the
oldest and , during spanish times, ws called "Caboloan" which derives from
bolo, a type of bamboo, and literally means "a place where bolo gorws."
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Religious
Beliefs and Practices
The
ancient pangasinense had an animistic religion which hadAma-Gaoley as the
chief deity. Lesser spirits or anito were responsible for a host
of phenomena relating to the weather, plant growth, and good health, as
well as protection of rivers, trees, and other sites. Illness was
deemed as punishment for offending the anito. This spirits were held
in respect and deference.
There
was extensive use of charms for varied purposes, from warding off evil
sprits to bringing good luck. Rituals were presided over by managanito,
priestesses who invoke oracles and idols, interpreted dreams and omens,
and divine propritious times for endeavors.
Despite
initial difficulties in evangelizing the pangasinense, the dominicans eventually
secured a tool hold for catolicism in the province. Today, pangasinan is
a bastion of catholocism in the country. Revolts against spanish authorities
invariably spared the priests and other religious, proof of the religiousity
of the pangasinense. Other sects such as the Philippine Indedependent church,
the Iglesia ni Kristo, and the various protestant denominations have their
adherence among residence of Ilokano descent, but rarely among those of
Pangasinense descent.
An
important Marian image is the Virgin Dolorosa of Mangatarem, which is housed
in a private home. The virgin is believed to have protected the townspeople
from the vicissitudes of war. The sash of the Virgin is also borrowed from
time to time by pregnant women who wear it on their last week of pregnancy
to ensure safe delivery.
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Visual
Arts and Crafts
Pangasinan
abounds in handicrafts and is famous for bamboo and rattan artifacts. There
are also handicrafts made of marsh grasses. A familiar sight down Central
Luzon after harvest time are the bullock caravans originating from Pangasinan
laden with bamboo, rattan, and grass crafts, including chairs, tables,
hampers, baskets, lamps, mats, and household bric-a-brac. Binalatongan
(now San Carlos City) and Calasiao are known for bamboocraft that have
been exported abroad.
Village
artist have also made six murals in the Manaoag Cathedral depicting the
legend of the Virgin of Manaoag, from her fist appearance to a farmer to
a varius miraculous events that followed the visitation, such as the time
when the Manaoag Church burned down and the image remained unscathed.
Pangasinan
had its share of prominent visual artist, the most accomplished of whom
is the late Victorio C. Edades, who instrumental in pioneering modernism
in Philippine art. In 1976 Edades became a National Artist for having changed
the direction of Philippine painting (Cortes 1990b: 165-166).
Reference:
CCP Encyclopedia
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